This series of paintings were about objects connected with people’s domestic history, their personal day to day lives. The canvases began to fill up with partitions of cups and plates. Presenting the objects in the collective . the work looks at both personal and political narratives, examining to what extent do domestic rhythms and the objects that occupy these rhythms shape our memories and our emotional attachments. As the body of work evolved it became preoccupied with the gender association of the domestic object and how that influenced the narratives behind the objects.
